“death march”: when the dead comes marching-in

poster of the film "death march", the closing film at the recently-concluded cinema one originals fest.
poster of the film “death march”, the closing film at the recently-concluded cinema one originals fest.
jason abalos: outshines other fellow actors in the movie "death march"
jason abalos: outshines other fellow actors in the movie “death march”
the actors in "death march"
the actors in “death march”
a horrifying dead scene in the movie
a horrifying dead scene in the movie
director adolf alix, jr. instructs actors jason abalos and zanjoe marrudo in one scene in the movie "death march"
director adolf alix, jr. instructs actors jason abalos and zanjoe marrudo in one scene in the movie “death march”



They say that the “dead ones” have no more right to mingle and mix with the living. They say, too, that the dead people are already totally “all gone”, just like a smoke that evaporated into thin air. The dead ones, they say, no longer feel, no longer see, nor hear, smell and breathe… they’re just DUSTS UPON A WIND.

Those, are the usual things that the most cynical and critical people do say about the DEAD. Forever gone. Forever away.

But what happens when the living ones are the ones who are DEAD? Can you comprehend? Can you grasp? Can you understand?

In the movie Death March, this was clearly seen. Because upon joining that historical march in the darkest time in the story of one beloved country, you had to consider yourself ALREADY DEAD.

No wonder, it was called the “Death March”.

But the dead ones have their own reasons to stay, too. Sometimes, they even linger forever. Not until a task is delivered, or a law, broken.

Those who believe in the “soul” surely knows and accepts that.

You could see images after images portrayed onscreen via this enormous movie directed by Adolf Alix, Jr.

Images that could stab you, handsome faces that could penetrate you, but sadden you with the fact that, they, indeed, looked like real ghosts in this film. The words they spoke were few but meaningful. Words that could make you sleep so as to escape the brutalities of war.

This was not an enjoyable film. Even critics would hate it because it challenged the mind so much. And it even questioned one blogger, why did ANGELS let those things happen in a long but almost forgotten chapter of a dark history?

As they say, the dead ones always brings tears, sadness, depression… that’s why most people would rather forget than cope, that’s why most people, too, were afraid of “ghosts”.


There was only one living character that a blogger saw as he watched this film on the closing event of Cinema One Originals fest. And it was the character portrayed by Jason Abalos, who also stood-out among the rest as the greatest actor in the ensemble cast. His emotions in the film were so vivid and real.

The rest, were “ghost-like” phantoms that acted in unison, in contrast with Jason’s magnificent acting ability all throughout his scenes. One other actor, Sam Milby, could have been alive, but he somehow faltered back in evaporation in his few remaining last scenes in the movie.

There was no “music”, only very raw sound created by actress Alessandra de Rossi, but it created utter shock and praise.

The cinematography in black & white by Albert Banzon was delusional, haunting, absolute.

The direction was unbelievably magical. A wonder of hands and mind created by Adolf Alix, Jr.

Warning: When you watch this film, be sure to have drunken a big mug of coffee so as not to fall asleep while watching it. Because it’s so painful, all you could do is to escape and close your eyes to  its horrifying images of the casualties of war. Then, as you closed your eyes, the angels would dwell and would make you fall-in more deeper into slumber.

Because this movie was not a movie, after all. IT WAS DEATH AND LIFE COMBINED IN ONE VISION. Surely, the cinema has played a trick of magic upon it… AS THE DEAD CAME MARCHING-IN.


(words written by robert manuguid silverio)


(special added feature below, courtesy of history.com)

The Bataan Death March

The Deadly March of American and Filipino POWs During World War II


(link): http://history1900s.about.com/od/worldwarii/qt/Bataan-Death-March.htm


The Bataan Death March was the forced march of American and Filipino prisoners of war by the Japanese during World War II. The 63-mile march began with 72,000* prisoners from the southern end of the Bataan Peninsula in the Philippines on April 9, 1942. The horrible conditions and harsh treatment of the prisoners during the Bataan Death March resulted in an estimated 7,000 to 10,000 deaths.

actual graphic pictures of DEATH MARCH IN BATAAN PROVINCE, PHILIPPINES below:

japanese soldiers torturing filipinos
japanese soldiers torturing filipinos
the march of death
the march of death

Bataan Death March

Only hours after the Japanese attack on Pearl Harbor on December 7, 1941, the Japanese also struck airbases in the American-held Philippines (around noon on December 8, local time). Caught by surprise, a majority of the military aircraft on the archipelago were destroyed during the Japanese air attack.

Unlike in Hawaii, the Japanese followed their surprise air strike of the Philippines with a ground invasion. As the Japanese ground troops headed toward the capital, Manila, American and Filipino troops retreated on December 22, 1941 to the Bataan Peninsula, located on the western side of the large island of Luzon in the Philippines.

Quickly cut off from food and other supplies by a Japanese blockade, the American and Filipino soldiers slowly used up their supplies. First they went on half rations, then third rations, then fourth rations. By April 1942, they had been holding out in the jungles of Bataan for three months and were clearly starving and suffering from diseases.

There was nothing left to do but surrender. On April 9, 1942, U.S. General Edward P. King signed the surrender document, ending the Battle of Bataan. The remaining 72,000 American and Filipino soldiers were taken by the Japanese as prisoners of war (POW). Nearly immediately, the Bataan Death March began.

The March Begins

The goal of the march was to get the 72,000 captured American and Filipino POWs from Mariveles in the southern end of the Bataan Peninsula to Camp O’Donnell in the north. To do this, the prisoners were to be marched 55 miles from Mariveles to San Fernando, then travel by train to Capas. From Capas, the prisoners were again to march for the last eight miles to Camp O’Donnell.

The prisoners were separated into groups of approximately a hundred, assigned Japanese guards, and then sent marching. It would take each group about five days to make the journey. The march would have been long and arduous for anyone, but the already starving prisoners were to endure cruel and brutal treatment throughout their long journey, which made the march deadly.

The Horrible Conditions of the Bataan Death March

Japanese soldiers believed strongly in the honor brought by fighting to the death and anyone who surrendered was considered contemptible. Thus, to the Japanese soldiers, the captured American and Filipino POWs from Bataan were unworthy of respect. To show their displeasure and disgust, the Japanese guards tortured their prisoners throughout the march.

To begin with, the captured soldiers were given no water and little food. Although there were artesian wells with clean water scattered along the way, the Japanese guards shot any and all prisoners who broke rank and tried to drink from them. A few prisoners successfully scooped up some stagnant water as they walked past, but many became sick from it.

The prisoners, who were starving even before their surrender, were given just a couple balls of rice during their long march. There were numerous times when local Filipino civilians tried to throw food to the marching prisoners, but the Japanese soldiers killed the civilians who tried to help.

The intense heat during the march was miserable. The Japanese exacerbated the pain by making the prisoners purposely sit in the hot sun for several hours without any shade — a torture called “the sun treatment.”

Without food and water, the prisoners were extremely weak as they marched the 63 miles in the hot sun. Many were seriously ill from malnutrition, while others had been wounded or were suffering from diseases they had picked up in the jungle. These things didn’t matter to the Japanese. If anyone seemed slow or fell behind during the march, they were either shot or bayoneted. There were Japanese “buzzard squads” who followed each group of marching prisoners, responsible for killing those that couldn’t keep up.

Random brutality was common. Japanese soldiers would frequently hit prisoners with the butt of their rifle. Bayoneting was common. Beheadings were prevalent.

Simple dignities were also denied the prisoners. Not only did the Japanese not offer latrines, they offered no bathroom breaks along the long march. If a prisoner had to defecate, then they had to do it while walking.

Arrival at Camp O’Donnell

Once the prisoners reached San Fernando, they were herded into boxcars. The Japanese shoved so many prisoners into each boxcar that there was standing room only. The heat and conditions inside caused more deaths.

Upon arrival in Capas, the remaining prisoners marched another eight miles. When they reached their destination, Camp O’Donnell, it was discovered that only 54,000 of the prisoners had made it to the camp. It is estimated that about 7,000 to 10,000 died, while the rest of the missing had escaped into the jungle and joined guerrilla groups.

The conditions within Camp O’Donnell were also brutal and harsh, leading to thousands more POW deaths even within their first few weeks there.

The Man Held Responsible

After the war, a U.S. military tribunal was established and charged Lieutenant General Homma Masaharu for the atrocities committed during the Bataan Death March. Homma had been the Japanese commander in charge of the Philippines invasion and had ordered the evacuation of the prisoners of war from Bataan.

Homma accepted responsibility for his troops’ actions even though he himself never ordered such brutality. The tribunal found him guilty.

On April 3, 1946, Homma was executed by firing squad in the town of Los Banos in the Philippines.

* Some sources say 75,000 soldiers were taken prisoner after the surrender at Bataan, with 12,000 of them American and 63,000 Filipino.

muli kayong paiiyakin sa nakakabagbag-damdamin na performance ni miggs cuaderno sa MAGPAKAILANMAN!

Imagebaby miggs with his co-stars in “magpakailanman, gloria garrido story”- mr. rez cortez, enzo pineda, janine guttierez and ms. chanda romero.


(sinulat ni robert manuguid silverio)


Papel ng isang batang may sakit na muscular scoliosis ang ginampanan ni baby Miggs Cuaderno sa susunod na episode ng top-rating TV drama program ng GMA Channel 7 na Magpakailanman.

Sa Davao City pa sila nag-taping ng nasabing episode na ukol sa buhay ng isang letter-sender sa programa na si Gloria Garrido. Pinamagatan itong Gloria Garrido Story and take note, talagang nakakabagbag-damdamin ang performance ni baby Miggs sa nasabing TV program! Lahat ng kapwa niya artista ay napapaiyak na kapag umaarte na siya sa harap ng kamera.

Bale sa episode na ‘yun, tila naman ata pinagtaksilan ng tadhana ang naging buhay ni Gloria Garrido. Tatlo sa mga anak niya ang nagkaroon ng sakit na “muscular scoliosis”! Magmula sa panganay (na ginampanan ni Enzo Pineda), sa pangalawang babaeng anak (na ginampanan ni Janine Guttierez na anak ni Lotlot de Leon in real life at apo rin ni Piita Corrales ) at sa bunso, na ginampanan naman ni Miggs.

Si Ms. Chanda Romero ang gumanap na Gloria Garrido at ang beteranong aktor naman na si Rez Cortez ang gumanap na ama nina baby Miggs at asawa ni Chanda.

Hangang-hanga si direk Adolf Alix, Jr. sa acting ability ni baby Miggs. Sadya palang pinahanap ni direk Adolf si baby Miggs na gumanap sa papel na ‘yun dahil magmula nung mapanood niya si baby Miggs sa dalawang Cinemalaya indie films nito na Quick Change at Purok 7 ay sadyang humanga na siya sa bata.

Incidentally, hindi alam ni baby Miggs na na-nominate pala siya sa nagdaang Cinemalaya awards bilang Best Supporting Actor. Nalaman na lamang niya ito nang isulat ng “Pep.Ph” writer na si Ruel J. Mendoza na isa pala si Miggs sa mga naging nominees doon. Kaya lalong nag-boost ngayon ang confidence ng bata.

Meanwhile, nai-release na sa “YouTube.Com” ang official trailer ng pelikulang Bamboo Flowers, ang next big movie ni baby Miggs na inaabangan na ng lahat. Ito ay entry sa darating na National Film Festival (All Masters Edition) ng Sineng Pambansa. Mula ito sa direksyon ng kanyang mentor at tatay-tatayan na si direk Maryo J. delos Reyes.


Imagemiggs with his mom judy at the taping of “magpakailanman”

Imagemiggs plays at davao city park where they shot the episode of “magpakailanman”

Imagemiggs loves davao city

Imagemiggs with ms. chanda romero

Imagemiggs with janine guttierez

Imagemiggs with enzo pineda

Imagemiggs with direk adolf alix, jr.

Imagemiggs with “daddy” rez cortez!